Influenced by the narrative prints of William Hogarth, this work examines the social consequences of digital spectatorship. Figures occupy a contemporary moral landscape in which attention is fragmented by the continual circulation of images and opinion. As virtual identities and algorithmic communities replace direct experience, the distinction between lived reality and mediated reality begins to dissolve. Rather than documenting a specific event, the print considers how images shape collective memory, social behaviour and the ways we look at one another.
